Equipment Atomos Shinobi 7″
The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI or SDI. An ideal directors’ monitor, focus pullers’ monitor, program or preview display for video switchers, and perfect for vloggers presenting to camera.
In addition to Log to HDR conversions, you can also use your own custom 3D LUT to feed downstream to other devices or live feed. Load up to eight custom LUTs at any time via the SD Card Slot and instantly select between them, maintaining creative intent at all times. When used with the selfie mode, the large display acts as a perfect confidence monitor that allows you to ’bake-in’ a LUT to your camera input, to achieve your LOOK at capture for that perfect piece to camera.
Shinobi 7 utilizes the AtomOS 10 platform, and is packed with an extensive suite of scopes and simple one-touch operations. Shinobi includes monitoring tools for focus, framing & exposure, including Focus Peaking, Focus Peaking, 4:1 / 2:1 / 1:1 Zoom, Zebra, False Color, Cine and Social Frame Guides, SMPTE Safe Areas, Waveform, RGB Parade, Vectorscopes, Anamorphic De-squeeze and 3D LUT support.
Physical Specifications | |
---|---|
Dimensions (W x H x D mm) | 198 x 133 x 39 |
Weight | 577g / 1.04lb |
Mount points | 1 x Anti rotation 1/4" / 3/8 top and bottom |
Environmental | |
Ambient operating temperature | Up to 40° C |
Construction and Control | |
Body | Polycarbonate ABS Plastic |
Cooling | Actively controlled fan and heat sink |
Multi-function button | Power / lock Screen |
Power | |
Input voltage | 6.2V - 16.8V |
Operating power | 5.8V - 7.2V |
Compatible batteries | 2 x NPF L series |
Built in battery | No |
Battery Run time (Record) | 5200mAh - up to 2hrs, 7800mAh - up to 3hrs |
Continuous power | Dual battery slots |
DC in connector | Locking DC jack |
Dtap | Via optional DTap to DC cable |
Display | |
Touchscreen | SuperAtom IPS panel (capacitive touch) |
Size | 7" |
Resolution | 1920 x 1080 |
PPI | 325 |
Bit depth | 10-bit (8+2 FRC) |
Backlight Type | Edge lit |
Brightness (cdm2 / nits) | 2200 +/- 10% |
Aspect ratio | 16:9 Image Display |
Color Gamut | Rec.709 |
Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
Color Pipeline | |
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
Gamut | Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display | .Cube Format |
3D LUT Down Stream | Loop out |
3DLUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR output Conversion | HLG / PQ |
Video Input | |
HDMI | 1 x HDMI (2.0) 4Kp60 |
SDI | 1 x 3G SDI - 2k p60 |
Bit Depth | 8/10-bit Video |
Video Chroma Subsampling | YCbCr 420 & 422 |
Metadata | |
Video Output | |
HDMI | 1 x HDMI (2.0) 4Kp60 |
SDI Play out | 1 x 3G SDI - 2Kp60 |
Web Streaming | |
Video Signal Conversion | |
HDMI to SDI | Yes |
SDI to HDMI | Yes |
Audio In/Out | |
HDMI | 2ch 24-bit, input dependent |
SDI | 8ch 24-bit, input dependent |
Headphone out | 3.5mm 2ch. |
Timecode / Sync | |
Embedded | HDMI and SDI |
Resolution and Frame Rates (Record, Monitor & Playback) | |
4k DCI | Monitor Only: DCI: HDMI: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
4k UHD | Monitor Only: UHD: HDMI: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
2K DCI 2046 x 1080 | Monitor Only: DCI 2046 x 1080: SDI: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
FHD 1920 x 1080 Progressive | Monitor Only: HDMI and SDI : 23.98/24/25/29.9/30/50/59.94/60p |
FHD 1920 x 1080 Interlaced | Monitor Only: 50/59.94/60i 1280 x 720p: 50/59.94/60p |
Recording CODEC | |
CDNG | No - Monitor only |
Apple ProRes RAW | No - Monitor only |
Apple ProRes | No - Monitor only |
Avid DNxHD | No - Monitor only |
Avid DNxHR | No - Monitor only |
H.265 | No - Monitor only |
H.264 | No - Monitor only |
Playback | |
Playlist | No - Monitor only |
Recording functions | |
Pre-roll record | No - Monitor only |
ISO Record | No - Monitor only |
Switched Program Record | No - Monitor only |
Timelapse | No - Monitor only |
RAW to Video Record | No - Monitor only |
Simultaneous proxy record | No - Monitor only |
4k to HD | No - Monitor only |
Multi Input / Switching | |
Supported media | |
SD | SD Card slot for LUTs / Firmware |
File System | ExFAT |
On screen tools | |
MultiScope Analysis View | Image, selectable Waveform, Histogram, Vectorscopes and Audio bars |
Waveform | Yes, 3 size / Position |
Histogram | Luma and RGB |
RGB parade | Yes, 3 size / position |
Vector scope | Yes, 2 size / position and zoom |
1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
2 x Zoom | Yes |
4 x Zoom | Yes |
Focus peaking | Color selected / focus assist sharpening / threshold setting / color / mono / edges only |
False colour | Yes |
Zebra | Yes, adjustable |
Isolate color channel | Blue only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides | 9:16, 1:1, 191:1, 4:5 |
Safe areas | Action and Graphic |
Grid markers | 9 Grid |
Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.8x, 2x |
Display Flip | Vertical and Horizontal selfie mode |
Onboard Signal Processing | |
4K UHD Downscale for HD | Yes |
DCI Crop | Yes |
Remote control | |
External Device Control | |
Serial 2.5mm Jack | USB-C to Serial (ATOMCAB018) |
USB | Camera control for supported cameras in future firmware release |
RJ45 | Camera control for supported cameras in future firmware release |
Workshop 5
The Bottle Yard Studios
Whitchurch Lane
Bristol BS14 0BH
If you would like a quote on this item or a number of other items, please complete the following and a one of our rental team will be in touch. Alternatively, you’re welcome to call us on +44(0)117 369 1000